An Internet Fast and Other Sundry Things

A few minor things:

  • I’ve decided to do an Internet Fast for three weeks, which is basically limiting my personal Internet time to less than fifteen minutes a day. Some mental toxins have crept into my system, and this is my way of clearing them out. The fifteen minutes will mostly be spent checking email and keeping up with writing-related business, but it will also be a challenge to see how much I can keep up on with those fifteen minutes. I’ve been doing it for a few days already, and it’s been good, but it is a challenge even dealing with all my email in that time.
  • I turned in the mini-collection to PS Publishing: A Web of Black Widows and Other Stories of Love and Loss. Thirty thousand words. Six stories — four or which are original to the collection. Right now it’s scheduled for an early 2009 release, but we’ll see. I’ll be posting a page with more information about the collection in the coming months.
  • Check out the First Book blog: Jennifer E. Smith and The Comeback Season.
  • Read Kristine Kathryn Rusch’s Hugo-nominated novella, “Recovering Apollo 8,” for free over at Asimov’s. Wonderful story. Plus if you want to see how a great writer can break the rules (not that there is such a thing in fiction), this is a good one to study. There’s only a few scenes and much of it is told in narrative summary, with the first third almost entirely exposition, but it works beautifully.  It works because it gives you a sense of a small story within the larger scope of history, which was the right tone and approach.

The Project Writer Vs. The Process Writer

I wrote a post not long ago about my recent realization that the number of words I wrote on a daily basis over the past six years amounted to a little over 500, or about two pages.  And while I meant this to be heartening, in the sense that you really can accomplish quite a lot even in tiny bits so long as you’re consistent, I realized it may have left people with the impression that I personally have been consistent in my writing habits.

In fact, the truth is far from it. 

I averaged two pages a day, but there were many, many days I didn’t write at all.  These were balanced out by the days that I wrote between 5000-10,000 words.  There were some days I wrote more than what I had written in some months.  This is not something I’m proud of, but it’s partly due to the state of my life and it’s partly due to my personality.  When I really get into the throes of a project, not just with writing but with anything, I tend work on it obsessively until it’s finished.  In other words, my tendency is to be a project-oriented person rather than a process-oriented person.

What’s the difference?  A process-oriented writer usually writes every day, some fixed amount like two pages or five pages or ten.  A project-oriented writer often may not write for days or weeks at a time, but when they do, they may work around the clock until the project is finished.  There’s no right or wrong to either approach, and actually, most writers are probably a mix of the two.  The beginning writer is probably best served by being mostly a process writer, because the beginner hasn’t yet developed the writing skills or stamina to be able to sit down and crunch out 10,000 words.  Building those writing muscles takes time.  This is why you hear so many writers telling you to write every day.  But I do want to say that not all writers do this, that, in fact, a huge percentage don’t, and if you’re one of those people, you shouldn’t beat yourself up all the time that somehow you’re failing to become a Real Writer because you’re not writing on a daily basis.  The real truism, if you want to get better, is that you must write more, however you go about it, and that in most cases the more you write the faster you will get better and the sooner you will achieve success.   (I should also add that whether I write 1000 or 10,000 words a day, my actual writing speed is pretty consistent).

There are dangers in both approaches, however.  The problem for the project writer is that it’s easy for those stretches between projects to get longer and longer without you realizing it.  This is especially the case if you have a challenging life which can prevent you from getting to the keyboard as often as you’d like.   One of the chief dangers for the process writer is burnout.  Writing daily can soon feel like drudgery.

The solution?  Well, as I said before, I don’t think any writer is just one or the other.  Most are a mix of the two.  When I got very serious about the craft six years ago, I made a commitment to write every day, and that commitment was necessary to breakthrough all the inertia that had built up over the years.  But over time, I’ve drifted into becoming more and more of a project writer, which is probably closer to my personality.  My problem lately is that life has become so challenging that it’s easy for a few days between writing sessions to turn into a few weeks.  This is not good.

So my life, right now, dictates that that I veer back into being more of a process writer who occasionally allows himself to be a project writer when I’m in the throes of a particular project and want to finish it.  Translation:  I need to write at least a couple pages every day, but now and then I’ll schedule all-day writing sessions.  In my mind, this gives me the best of both worlds.  I keep my writing muscles sharp by writing on a near-daily basis, but I don’t keep myself chained to it.  I’ve also come to like the fallow periods of not writing, because I’m able to re-charge my writing batteries.  Of course this only works if there’s writing on both sides of that fallow period . . .

So if you find that writing has become drudgery, or that you’re not writing enough, try varying your project/process approach a bit.  I’m doing that now (back to a thousand words a day for me), and I’ll be sure to let you know how it goes.   

Reading more books . . . er, listening to them

One of my frustrations the last couple years has been how hard it is finding time to read.  Any writer (heck, anyone) with young children can probably relate — there’s just not enough hours in the day anymore.  But a writer needs to read as much as he or she needs to write — it’s the creative fuel that keeps the fires of the imagination burning.

I’ve always liked audio books as a way to squeeze in more reading, but now that my daughter, Kat, accompanies me out to the university (where she goes to preschool), listening to sansa.jpgsansa.jpgthem in the car isn’t much of an option.  Usually, we end up listening to one of her CDs:  “Head . . . and shoulders, knees, and toes, knees and toes . . .”   

I’ve had an iPod for a while now, but purchasing audio books is expensive and importing CDs checked out from the library is too time-consuming.  So I was happy when I stumbled across the Library2Go program, which allows library patrons to “check out” audio books to be downloaded to computers and MP3 players.  The iPod wasn’t compatible, so I sprung for the $35 (man, have the prices come down on these things) for a 1 gig Sansa.  I’ve been using it on my walks at lunch here at the day job, and it’s been great so far — tiny, easy to use, and even the 1 gig player fits three to four books at a time.   

While I’ve never been one to get excited about technology for technology’s sake — it’s always about what technology can do that matters to me — I have to say this has me pretty stoked. 

Two Pages a Day? That’s all?

Ever since I got serious about writing — which dates back to January 2002, I remember it well — I’ve been pretty compulsive about tracking my progress.  I’ve got spreadsheets up the wazoo.  It may seem a bit anal to some folks, but think about it this way:  if you were a factory that made gizmos, wouldn’t you want to have good reliable data on how many gizmos you made a year, your sell-rate on gizmos, and just where in the world your gizmos were going? 

My spreadsheets help me not only maintain a professional focus with my writing, they help me stay honest with how hard I’m working at it.   It’s too easy to pretend you’re a writer if you’re not keeping track of how many words, pages, and manuscripts you’ve produced.  I don’t want to pretend.  I want to be.

Anyway, I was updating one of my spreadsheets when I came upon a number that surprised me.  For the last six years, I’ve written 1,136,341 new words of fiction.  Yay for me — more than a million words of fiction!  That’s a lot of short stories and novels.

But hold on a minute.  If you divide that number by the number of days (365*6=2190), you get . . . 519 words a day.

Which is roughly the equivalent of two manuscript pages a day.

That’s all.  Just two pages a day. 

Food for thought.