“Strays” in Asimov’s, A Run of the House Sale, and a Summer Update

That’s a photo of Rosie, my intrepid Irish Setter, and my daughter playing on Beverly Beach on the Oregon coast a few months back. You can just barely make them out on the beach if you squint. We spent a lovely few days at Otter Rock, a moody, somewhat isolated headland tucked off Highway 101 that’s great if you want to get away from the crowds but not so great if you want what the crowds are often looking for: restaurants, shops, attractions, and the like. Fortunately, Newport is only a ten-minute drive to the south, which offers all of that and more, so staying at Otter Rock is a little like having the best of both worlds.

A little news: My short story, “Strays,” just appeared in the September/October 2025 issue of Asimov’s Science Fiction magazine. This one—which involves a husband and wife team sent to track down stray missiles in space from a long-settled galactic war—is one of my favorites. That doesn’t always mean much, I’ve found, because what an author thinks is good and what a reader thinks is good aren’t always the same thing, but it is one of those stories that when I finished it I thought, hmm, there’s something here, something that resonates, something that sticks with you. If you want to take out a subscription, you can do so here; if you want to buy this particular issue electronically, you can do it here. I believe Kindle Unlimited readers can also read it right now.

Second, I’m running a End of Summer 45% Off Sale for my comic strip, Run of the House, which brings the monthly cost down to only $1.65/month. Published twice a week, that’s 104 cartoons a year delivered straight to your inbox! While I probably split my time between writing and cartooning 70/30, I do really enjoy creating the strip, feel I’m slowly getting better at it, and I’d love your support. You can sign up today at www.runofthehouse.net. The deal expires the first day of fall: September 22, 2025. Here’s a recent strip, one that only paying subscribers received:

Our summer’s been a mix of trips to the Oregon coast and the Sunriver area up near Bend, kind of the usual, but the biggest trip of the year so far was to southeast Florida. Back in April, Heidi and I flew to Miami, rented a convertible, and spent a wonderful ten days ranging everywhere from Palm Beach to Key West. Neither of us had ever been to the Miami area, and it certainly lived up to its reputation as a world class city. Since it has very little public transportation other than busses, the maze of Interstates, highways, and other roads is constantly clogged with nerve-wracking traffic, which was really my only complaint. Weather was in mid-seventies, with low humidity and almost no rain. We drove all the way down to the southern most point in the United States, visited the Hemmingway Museum, and enjoyed margaritas on a rooftop bar over looking the Atlantic Ocean.

While we’re on the subject of famous authors, most of you know my love for John D. Macdonald’s Travis McGee series, so I couldn’t resist visiting the Bahia Mar marina. In the books, this is where McGee’s houseboat, The Busted Flush, was anchored in slip F-18. After MacDonald died, the marina even allowed a plaque to be placed at the supposed location in memory of author and his beloved series. After a remodel back in the 90s, however, slip F-18 no longer exists, so the marina moved the plaque indoors. There are too many photos of our trip to drop on one page, and nobody but us would want to see them anyway, but here’s a gallery of just a few for those who want a taste of our trip. Great fun.

Speaking of fun, I’ve been enjoying writing the latest book, which, just as I eluded to above, doesn’t always amount to much when it comes to how readers might respond, but creating with joy is always more pleasant than creating with angst and frustration, even if I’ve come to accept that it is quite possible to love doing something even if it sometimes makes you miserable, maybe especially because it makes you miserable. I know that’s a strange thing to say, but I think one of the biggest misconceptions about taking a serious approach to something in the arts, whether that’s writing, painting, music, or some other pursuit, is that it should always make you happy.

Happiness is like the sunshine. It comes and goes. It can be very pleasant when it’s here, but it can be a very empty pursuit to seek it just for its own sake, and, strangely enough, often results in feeling unhappy more of the time if you do. One of the things I enjoy most about writing is that it’s often difficult. Not always. But if it was easy, I don’t think I’d enjoy it as much. Along these lines, I’d highly recommend Oliver Burkeman’s The Antidote: Happiness for People who Hate Positive Thinking. I read this wonderful book recently and was floored by how much Burkeman’s thinking mirrors my own, and how much the journey he takes in this book matches my own journey in recent years: first becoming disenchanted with an obsessive and ultimately self-defeating fixation on goals and rah-rah positive thinking that so took hold of me as a young man, to ultimately trying to fashion my own working philosophy by taking what I felt were the best (and often common) elements of Buddhism, Taoism, and Stoicism, with a generous helping of modern psychology thrown in for good measure. It may sound like a terribly negative book, but it’s really about how freeing it can be to embrace insecurity, as Alan Watts memorably put it, and stop trying to force things all the time.

Hopefully back before too long, but if not, well, I’ll try not to force things . . .

Summer 2019 Update: New Gage Book Coming, Cartooning Stuff, and Other Sundry News

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Good news for my Garrison Gage fans! Bury the Dead in Driftwood, the sixth book featuring the curmudgeonly private investigator living in Barnacle Bluffs, Oregon, is now with the copy editor and should be available for purchase in the next few weeks. Be sure to sign up for my author newsletter if you want to be among the first to know when the novel is actually out. That’s the cover up there (it still might get tweaked a little, though we’re feeling pretty good about it at this point), and the book description will be coming soon.

It was great to revisit my old friend Gage and the extended cast that inhabits his moody Oregon coastal town, and I’m hoping my readers will feel the same. I appreciate everyone’s patience! Two years was a long time to go between Garrison Gage mysteries, but, well, what can I say? While I know there are plenty of you who’d prefer that I just write Gage books and nothing else, I’m just not wired that way. I also had a big book that went sideways on me and needed to be put aside for a while. It happens. What I can say, however, is that I’ve been making a lot of little changes, both to my habits and my mental approach, that should add up to a lot more books and stories coming from me in the months and years ahead. We’ll see. I’m having a lot of fun and that’s the main thing.  More than ever, the real joy I get from my creative work is the pursuit of excellence. Money and fans are certainly nice and appreciated (oh boy are they!), but the less central they are to my motivation the happier and more productive I am as an artist.

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Speaking of fun, I’m also having a blast with the Run of the House comic strip. (Three recent ones are pictured above.) I completed my 50th strip the other day. While I’m posting most of them in various social media channels (Facebook, Tumbler, Twitter, etc.), the best way to  see them is at www.runofthehosue.net, posted every Monday, Wednesday, and Friday. While the strip is free, if you want to show your appreciation, a $1/month at Patreon is certainly appreciated.  By becoming a patron, you’ll also get lots of extras. Every little bit helps.

Other news? We had a fun trip to Florence, Oregon a few weeks back, staying in a lake house and having a blast. Kayaking, ping pong, hanging out in the hot tub, even a couple dune buggy rides — it was a great retreat. Overall, weather has been quite pleasant this summer, both in the Willamette Valley and on the Oregon coast, and I feel almost guilty saying so, since I know that’s not the case elsewhere. Oh, and if you’re somebody who wants to lose 41d7cBwU1pLweight, or simply get healthier overall, I highly recommend reading Jason’s Fung’s book The Obesity Code. My weight had been creeping up over the years — nothing egregious, but like most people, it was just trending in the wrong direction — and I’d finally decided I’d had enough and I needed to cast a wider net on my understanding of the issue. Of all the books I’ve read on diet and nutrition, Fung’s book finally filled in the missing pieces for me. My biggest takeaway from it? That when and how often we eat is just as important as what and how much. It makes complete sense from an evolutionary point of view, too. Read the book for more information. It’s heavy on the evidence side, which I love, but you can certainly skim some of the more data-intense parts of the book and still come away with a much-improved understanding of human physiology. A lot of it is simply reinforcement of what we already know (cutting down sugar, refined carbohydrates, and eating more whole foods, plus moderate exercise, is a recipe for better health), but if you read this book you will understand why 98% of all diets fail — and what you can do to prevent that failure from happening to you.

Book Recommendation: Blockbusters by Anita Elberse

If you want to make money as an artist, or at least understand what’s happening to writers, musicians, and other entertainers in the age of Amazon, iTunes, and Netflix, you really need to read Anita Elberse’s book, Blockbusters.  A professor at Harvard, her conclusions are grounded in plenty of evidence and ten years of research.  I can’t stress enough how much this book has changed how I look at the publishing industry.  At the very least, you should watch her twenty-minute interview with Charlie Rose, where she hits most of the high points of her book.

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I had originally planned to write a much longer post about what I learned, particularly the middle chapters about the digital disruption, but it’s not much different than what I wrote a year ago with a few exceptions.  You should read this book if . . .

  • You want to know why Chris Anderson was wrong about “the long tail,” and that there is even more concentration toward bestsellers than the pre-Internet days (and increasingly so)
  • In most digital marketplaces 85% of the income is made by 1% of the products, 95% by 5% of the products, and that the bottom 75% make virtually nothing
  • That publishers, studios, and music companies are absolutely correct to bet big on blockbusters
  • And why simply putting out a lot of products, at least by itself, is not a winning strategy for any artist

She does not lay out that strategy.  That’s not her target audience.  If you’re a writer, musician, filmmaker, or any kind of artist working in the digital age, that’s up for you to decide. I’ll just say this:  It’s not getting any easier.  If you want to make more than pizza money, you need to take the long view, constantly striving to get better at both the craft and the business, and do what you can to give your work maximum visibility.

I’ve recommended this book to a number of writers already, and when I told them about some of the conclusions, they’ve all said it sounded pretty depressing.  I don’t think it has to be. Yes, the bad news is that it’s probably just as hard, if not harder, to make money as an artist as it was before there were so many ways to go direct to an audience. The good news is that the playing field is more open to newcomers than ever before.  There are no gatekeepers except the fans themselves, and they will give you their attention — the most precious commodity in the modern entertainment era — if you earn it.

 

The Indie Writer’s Tool Kit: How to Sell Better and Make More Money

Well, the holidays came and went with the usual fanfare.  Lots of food, lots of gift wrapping, lots of good times.  And it’s raining a lot again here in the Willamette Valley.  Rainy and cold in January — no shock.  All the traditions continue.

I’m co-teaching a workshop in “indie publishing” with Dean Wesley Smith next month in Lincoln City, Oregon: “The Indie Writer’s Tool Kit: How to Sell Better and Make More Money,” February 25-28, basically from 7 p.m. on Friday until noon on Tuesday.  My own publishing company, Flying Raven Press, has added a nice secondary income to my life, and I know Dean is doing fantastically well with his own WMG Publishing.  Although I have no plans to abandon working with traditional publishing (Wooden Bones is coming out from Simon and Schuster this August), the opportunities to go direct to readers, and skip the middlemen, are incredible for writers today.  It’s given me tons of options I didn’t have two years ago.

Contact Dean if you’re interested in attending.

This is essentially a “level 2” for those who attended the Think Like a Publisher Workshop last year, or for people who already have the basics of publishing an ebook and POD and want help taking it to the next level.  Should be a lot of fun.  The full workshop description is below, and Dean also has a very good post about why we tweaked the title — and the writer vs. author mindset in general.

Preparing for this workshop has also clarified my thinking about how best to spend my time as a writer and a publisher.  It’s also lead me to what other people might find are some surprising conclusions.  I no longer have a Facebook or Twitter account, for example.  And I no longer feel a need to blog regularly (in fact, I think doing so can actually be counterproductive).  Though I think it’s more important than ever to maintain an informative and accurate website.  It’s amazing how many author websites fail that simple test.

I’ll be talking about all that and more next month.  There are lots of things a writer can do to sell better and make more money.

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The Indie Writer’s Tool Kit: How to Sell Better and Make More Money

For writers who attended the Think Like a Publisher Workshop, or people who aready know the basics of publishing an ebook or POD, here’s a workshop to help you take your publishing enterprise to the next level. Learn the basics of writing effective book descriptions, techniques to make your covers look professional, how to use the Internet to promote (and how not to), and how to get your print books into independent bookstores. Audio books, author bios, loss leaders, pricing effectively, boosting productivity, website tools — all this and more is packed into four
intense days of learning. Includes in depth discussions about the current
state of publishing and the exciting opportunities that exist for writers.  Contact Dean Wesley Smith for more information.